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INDIAN DESIGN AND INTERIORS - (Feb-Mar 2004)

VERTICAL PLANNING

Architect couple Anshu and Pradeep Pathak work on a vertical

plan in a Noida home in a way that no floor remains isolated--text by Anshu Pathak

WHEN WE FIRST met our client Mr.Gupta, the brief given to us was that he wanted a grand house on a small size of plot. We automatically conceptualized a vertical limit and thought of capitalizing on the vertical space available hence. For designing this home, a pragmatic creative connection with the different levels as well as with the outdoors was required, Pradeep opted to intensify and internalize rather than follow a typical household design. The client was willing to experiment and this resulted in the story of a true split level home where functionality and aesthetics are in total sync. Once inside the house, the visitor faces a choice-to follow a half flight of stairs up or down. The decision recurs time and again as the steps zig-zag to connect the staggered levels. For the vertical axis, Pradeep created a major design element with a delicately fabricated staircase to give a feel of ambiguity. Discreetly placed against the sidewall, it conserves vital floor area and becomes an interesting design element.

Hanging from the top is a huge double height window that brings along with it the promise of enough skylight. The walls inside are freely hand painted in yellow and orange hues and furnished with massive openings that bring in the right amount of light. A focal point in this level is a peacock painting worked on glass b me. Three steps down is the living room brightened by its own door looking out into the back courtyard.

"Here an entire wall is covered with a painting from my Shivoham series."  Flanked by a brass Nandi and a king size chair, it adds warmth to the room.

PRADEEP HAS WORKED on uniformity with materials for floor patterns that merge with the overall aesthetics of the house. And this overcomes the dimensional difference  between the floors. The mezzanine is suspended over the formal living room. Here visual privacy and a large floor area are the major concerns. This floor boasts of a family lounge, a master bedroom, a puja room, a kitchen, dining and a master bath. In the family lounge I worked on a huge wooden panel in mirror work and acrylic colours. The master bath has stone cladding on the walls and two grand niches carved out with stone columns.

Functional flexibility connects the next floor that has the children’s bedrooms. For the college-going young son, we chose a solid deep blue scheme with wrought iron bed. The bedroom has an attached huge walk-in dresser and natural skylight streams into the bathroom done in aqua green and ultramarine. The daughter’s room is a pretty feminine pink. Adjoining is the dress and bath done in the same hues. This level also has a lounge for the young children.

THE TOP FLOOR has a guest bedroom done in the Shekhawati style and a terrace.

Natural light and air flow around freely in the house, moderating their effect in all the rooms. The fine balance between vertical and horizontal planning makes for both intimate gatherings and lively groups.

Landscaping has played a powerful role in this project. The adjoining land was added later when the house was completed. We insisted on elevating the lawn level to the mezzanine. Two platforms, one in blue and the other in orange-blue were designed on the lawn. Some of the design motifs inside the house find a place in the lawn area as well, reflecting a unique synergy.

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