Fauvism's use of vibrant colors and bold brushstrokes has been incorporated into various films. One of the most prominent examples is Jean-Luc Godard's 1965 film "Pierrot le Fou." The film's use of bright primary colors and its playful approach to storytelling are reminiscent of Fauvism's emphasis on spontaneity and emotion.
Another example is Wes Anderson's 2014 film "The Grand Budapest Hotel." Anderson's use of a pastel color palette and symmetrical compositions draws inspiration from Fauvism's simplified forms and use of color to convey emotion.
Other films that incorporate Fauvist elements include Vincente Minnelli's 1958 film "Gigi," which features vibrant costumes and sets, and Michel Gondry's 2004 film "Eternal Sunshine of the Spotless Mind," which uses bright colors to convey the characters' emotions.
